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The Interpretation Of Dreams The Complete And Definitive Text
Ask the provider about this item. Most renters respond to questions in 48 hours or less. The response will be emailed to you. Cancel Send message. Marketplace prices Summary. View more. Questions about purchases? In , Gao E and Cheng Weiyuan brought together the novel's first printed edition. While the original Rouge manuscripts have eighty chapters, the edition completed the novel in chapters. The first 80 chapters were edited from the Rouge versions, but the last 40 were newly published. In , Cheng and Gao published a second edition correcting editorial errors of the version.
In the prefaces, Cheng claimed to have put together an ending based on the author's working manuscripts. The debate over the last 40 chapters and the —92 prefaces continues to this day. Many modern scholars believe these chapters were a later addition. Hu Shih , in his essay Proofs on A Dream of the Red Chamber , argued that the ending was actually written by Gao E, citing the foreshadowing of the main characters' fates in Chapter 5, which differs from the ending of the Cheng-Gao version. However, during the midth century, the discovery of a chapter manuscript that dates well before further complicated the questions regarding Gao E and Cheng Weiyuan's involvement—whether they simply edited or actually wrote the continuation of the novel.
The book is usually published and read in Cheng Weiyuan and Gao E's chapter version. Some modern editions, such as Zhou Ruchang 's, do not include the last 40 chapters. In , three researchers using data analysis of writing styles announced that "Applying our method to the Cheng—Gao version of Dream of the Red Chamber has led to convincing if not irrefutable evidence that the first 80 chapters and the last 40 chapters of the book were written by two different authors.
Their ancestors were made Dukes and given imperial titles, and as the novel begins the two houses are among the most illustrious families in the city. One of the clan's offspring is made a Royal Consort, and a lush landscaped garden is built to receive her visit. The novel describes the Jias' wealth and influence in great naturalistic detail, and charts the Jias' fall from the height of their prestige, following some thirty main characters and over four hundred minor ones.
Eventually the Jia clan falls into disfavor with the Emperor , and their mansions are raided and confiscated. The Stone, along with a companion in Cheng-Gao versions they are merged into the same character , is then given a chance to learn from the human existence, and enters the mortal realm.
The main character of the novel is the carefree adolescent male heir of the family, Jia Baoyu. He was born with a magical piece of "jade" in his mouth. In this life he has a special bond with his sickly cousin Lin Daiyu , who shares his love of music and poetry. Baoyu, however, is predestined to marry another cousin, Xue Baochai , whose grace and intelligence exemplify an ideal woman , but with whom he lacks an emotional connection.
The romantic rivalry and friendship among the three characters against the backdrop of the family's declining fortunes form the main story in the novel. Dream of the Red Chamber contains an extraordinarily large number of characters: nearly forty are considered major characters, and there are over four hundred additional ones.
The names of the maids and bondservants are given in pinyin transcription and in David Hawkes ' translation. As one critic points out, the couplet signifies "not a hard and fast division between truth and falsity, reality and illusion, but the impossibility of making such distinctions in any world, fictional or 'actual. It is suggested that the novel's family is both a realistic reflection and a fictional or "dream" version of Cao's own family. The novel provides great insight in its depiction of the Chinese culture of the time, including description of the era's "manners, expectations, and consequences".
Among these, the novel is particularly notable for its grand use of poetry. Early Chinese critics identified its two major themes as those of romantic love, and of the transitoriness of earthly material values, as outlined in Buddhist and Taoist philosophies. During Mao Zedong 's era, a Marxist interpretation of the novel was the focus of some Chinese critics, which deplores the feudal society's corruption and emphasizes the clashes between the classes.
Since the s, critics began embracing the novel's richness and aesthetics in a more multicultural context. In the late 19th century, Hong Lou Meng' s influence was so pervasive that the reformer Liang Qichao attacked it along with another classic novel Water Margin as "incitement to robbery and lust", and for smothering the introduction of Western style novels, which he regarded as more socially responsible.
Wang called the novel "the tragedy of tragedies", in contrast to the prosperous endings in most earlier drama and fiction. In the early 20th century, although the New Culture Movement took a critical view of the Confucian classics, the scholar Hu Shih used the tools of textual criticism to put the novel in an entirely different light, as a foundation for national culture.
Taking the question of authorship seriously reflected a new respect for fiction, since the lesser forms of literature had not been traditionally ascribed to particular individuals.
The Interpretation Of Dreams: The Complete And Definitive Text
The final, and in some respects most important task, was to study the vocabulary and usage of Cao's Beijing dialect as a basis for Modern Mandarin. In the s, scholars and devoted readers developed Hongxue , or Redology into both a scholarly field and a popular avocation. Among the avid readers was the young Mao Zedong , who later claimed to have read the novel five times and praised it as one of China's greatest works of literature. The early s was a rich period for Redology with publication of major studies by Yu Pingbo.
Zhou Ruchang , who as a young scholar had come to the attention of Hu Shih in the late s, published his first study in , which became a best seller. In the Hundred Flowers Campaign , Yu came under heavy criticism but the attacks were so extensive and full of quotations from his work that they spread Yu's ideas to many people who would not otherwise have known of their existence. During the Cultural Revolution , the novel initially came under fire, though it quickly regained its prestige in the following years.
Zhou Ruchang resumed his lifework, eventually publishing more than sixty biographical and critical studies. Liu completed an ending that was supposedly more true to Cao's original intent.
It is a major challenge to translate Cao's prose, which utilizes many levels of colloquial and literary language and incorporates forms of classic poetry that are integral to the novel. The first recorded attempt at translating the novel into English was done by the noted Protestant missionary and sinologist Robert Morrison — in when he translated part of chapter four of the novel for the purpose of having it published in the second volume of his book Horae Sinicae this book was never published.
In , Morrison did publish a translation of a conversation from chapter 31 in his Chinese language textbook Dialogues and Detached Sentences in the Chinese Language. In , a short excerpt from chapter 3 was translated by the famous British diplomat and sinologist John Francis Davis — and published in the London Journal Quarterly Review.
The Interpretation Of Dreams The Complete And Definitive Text [PDF], eBooks, ePub
Davis also published a poem from chapter 3 of the novel in in the Transactions of the Royal Asiatic Society. The next translation into English was a literal translation of selected passages prepared for foreigners learning Chinese published by the Presbyterian Mission Press of Ningbo in Bencraft Joly of the first fifty-six chapters in An abridged translation by Wang Chi-Chen which emphasized the central love story was published in , with a preface by Arthur Waley.
Waley said that in the passages which recount dreams "we feel most clearly the symbolic or universal value" of the characters. The stream of translations and literary studies in the West grew steadily, building on Chinese language scholarship. Bramwell Seaton Bonsall, completed a translation in the s, Red Chamber Dream , a typescript of which is available on the web.
http://www.cantinesanpancrazio.it/components/lucusag/1171-tasto-power.php The first complete English translation to be published was by David Hawkes some century and a half after the first English translation. Hawkes was already a recognized redologist and had previously translated Chu Ci when Penguin Classics approached him in to make a translation which could appeal to English readers.
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After resigning from his professorial position, Hawkes published the first eighty chapters in three volumes , , Chennault of the University of Florida stated that "The Dream is acclaimed as one of the most psychologically penetrating novels of world literature. In , an abridged translation of Dream by writer Lin Yutang resurfaced in a Japanese library. Lin's translation, about half the length of the original, is reportedly not a literal one.
Owing to its immense popularity, numerous sequels and continuations to the novel have been published, even during the Qing era.